The Brilliant Corners - Hooked album flac
Tracklist Hide Credits
|1||Long Long Way To Go
Backing Vocals – Sarah Parish, Victoria WorsleyBass – Chris*Drums – Bob*Lead Guitar – Winston*Percussion – John ParishRhythm Guitar – Phil*Vocals, Lead Guitar – Davey*
|2||Where Are The Supremes Tonight
Bass – Chris*Drums – Bob*Piano [Backward] – John ParishRhythm Guitar – Phil*Vocals, Lead Guitar – Davey*
|3||The Pope The Monkey And The Queen
Bass – Chris*Drums – Bob*Lead Guitar, Rhythm Guitar – Phil*Vocals, Lead Guitar, Backing Vocals – Davey*
Accordion – Simon EdwardsBass – Chris*Drums – Bob*Lead Guitar – Winston*Rhythm Guitar – Phil*Tambourine – John ParishVocals – Davey*
Backing Vocals – John ParishBass, Backing Vocals – Chris*Drums – Bob*Lead Guitar – Phil*Vocals, Rhythm Guitar – Davey*
Vocals, Acoustic Guitar, Harmonica – Davey*
Backing Vocals – Martin SheenBass – Chris*Drums – Bob*Lead Guitar – Winston*Rhythm Guitar – Phil*Vocals, Lead Guitar – Davey*
|8||Desperate Situation Blues Song
Bass – Chris*Drums – Bob*Piano, Percussion – John ParishRhythm Guitar – Phil*Vocals, Lead Guitar, Backing Vocals – Davey*
|9||Heaven Inside Her
Bass – Chris*Drums – Bob*Lead Guitar – Winston*Rhythm Guitar – Phil*Violin – Clare MactaggartVocals – Davey*
|10||Take The Gun
Acoustic Guitar – John ParishBass – Chris*Drums – Bob*Lead Guitar – Phil*Vocals, Lead Guitar, Rhythm Guitar, Backing Vocals – Davey*
|11||Subtle As The Bomb
Bass – Chris*Drums – Bob*Organ [Hammond] – Tim LewisRhythm Guitar – John ParishVocals – Davey*
|12||Love Is Over
Bass – Chris*Drums – Bob*Lead Guitar – Winston*Percussion – John ParishRhythm Guitar – Phil*Violin – Clare MactaggartVocals – Davey*Vocals [Arabic] – Victoria Worsley
|13||Love It I Lost It||6:14|
- Bass – Chris Galvin
- Drums – Bob Morris
- Guitar – Phil Elvins
- Producer – John Parish
- Vocals, Guitar – Davey Woodward
- Written-By – Davey Woodward
NotesThere is no credits for tracks 13 to 15.
Tracks 13 to 15 are CD-only ("Love It I Lost It" is the full-length 12" version, not the more commonly found single edit).
Barcode and Other Identifiers
- Barcode: 5 016557 400526
|MCQLP5||The Brilliant Corners||Hooked (LP, Album)||McQueen Records||MCQLP5||UK||1990|
The Brilliant Corners. Heart on Your Sleeve: A Decade in Pop 1983 - 1993.
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Brilliant Corners is a studio album by American jazz musician Thelonious Monk. It was his third album for Riverside Records, and the first, for this label, to include his own compositions. The complex title track required over a dozen takes in the studio. The album was recorded in three sessions in late 1956 with two different quintets.
Although Brilliant Corners is Thelonious Monk's third disc for Riverside, it's the first on the label to weigh in with such heavy original material. Enthusiasts who become jaded to the idiosyncratic nature of Monk's playing or his practically arithmetical chord progressions should occasionally revisit Brilliant Corners. There is an inescapable freshness and vitality saturated into every measure of every song. The passage of time makes it all the more difficult to imagine any other musicians bearing the capacity to support Monk with such ironic precision.
By: The Brilliant Corners (1990, Rock). Wrong audio? Try another! More albums from The Brilliant Corners
Brilliant Corners, with its uneven meter and its tempo changes is undoubtedly the real back-breaker. Keepnews got it mostly right, although the tune is not in uneven meter, it is 4/4 throughout. It is the odd count of the bars that threw everyone off, including the liner notes writer. I learned how to conduct my life, what to insist on for myself and of myself. Brilliant Corners is likely the album that truly started this journey for both musician and producer. If you enjoyed reading this article, you may also like these: Lonely Woman, by Ornette Coleman.
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Brilliant Corners, recorded for the Riverside label in 1956 with an A-list band including saxophonist Sonny Rollins and former Charlie Parker drummer Max Roach, was the most compositionally ambitious session in the former church pianist's decade-long jazz career thus far. In a legendarily fractious session, the title track's growling theme was so treacherous in its lurching phrasing and abrupt time changes that a band this good still spent 25 takes on it, and the final version was only possible by splicing two takes together.
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