Rush - Hemispheres album flac
- Album: Hemispheres
- FLAC: 1562 mb | MP3: 1401 mb
- Country: Canada
- Style: Prog Rock
- Rating: 4.4/5
- Votes: 561
- Format: ASF ADX AU AIFF MP1 MIDI MMF
|Cygnus X-1 Book II: Hemispheres|
|1.II||Apollo / Dionysus||4:36|
|4||La Villa Strangiato||9:35|
- Phonographic Copyright (p) – PolyGram Records, Inc.
- Copyright (c) – PolyGram Records, Inc.
- Distributed By – Fonobrás, Distribuidora Fonográfica Ltda.
- Manufactured By – Sonopress-Rimo da Amazônia Indústria e Comércio Fonográfica Ltda.
- Acoustic Guitar, Guitar, Twelve-String Guitar, Classical Guitar, Synthesizer [Roland Guitar, Taurus Pedals] – Alex Lifeson
- Bass, Synthesizer [Mini-moog, Oberheim Polyphonic, Taurus Pedals], Vocals – Geddy Lee
- Drums, Bells [Orchestra, Bell-tree], Timpani, Gong, Cowbell, Percussion [Temple Blocks, Wind Chimes], Cymbal [Crotales] – Neil Peart
- Producer – Rush, Terry Brown
- Written-By – Lifeson*, Lee*, Peart*
Barcode and Other Identifiers
- Barcode: 0 42282 25472 6
- Barcode: 042282254726
- Matrix / Runout: SONOPRESS 822.547-2 01# + + 31352
- Mould SID Code (Variant 1): IFPI 1103
- Mould SID Code (Variant 2): IFPI 1107
|ANR-1-1014||Rush||Hemispheres (LP, Album)||Anthem||ANR-1-1014||Canada||1978|
|ANMD 1080||Rush||Hemispheres (CD, Album, RE, RM)||Anthem||ANMD 1080||Canada||1997|
|822 547-2||Rush||Hemispheres (CD, Album, RE)||Mercury, PolyGram||822 547-2||Brazil||1997|
|822 547-2 M-1||Rush||Hemispheres (CD, Album, Club, RP)||Mercury||822 547-2 M-1||US||Unknown|
|AMCY-2294||Rush||Hemispheres (CD, Album, Promo, RE)||Atlantic||AMCY-2294||Japan||1997|
REM GENRE "Progressive Rock" REM DATE 1978 REM DISC 1 TITLE "Hemispheres " FILE "Rush - Hemispheres.
Rush - Hemispheres (1978).
Hemispheres is the sixth studio album by the Canadian rock band Rush, released in October 1978 by Anthem Records. After touring to support the band's previous studio release, A Farewell to Kings, which saw the group gain popularity in the UK, Rush started work on its next album. As with the band's previous studio album, Hemispheres was recorded at Rockfield Studios in Wales and Trident Studios in London with longtime engineer and arranger, Terry Brown.
Hemispheres (Rush album). Hemispheres is the sixth studio album by Canadian rock band Rush, released in 1978. The album was recorded at Rockfield Studios in Wales and mixed at Trident Studios in London. It was the last of two albums they would record in the United Kingdom before returning to their homes in Canada.
Слушайте и скачивайте rush - hemispheres 1978 на Хотплеере в mp. Rush - Hemispheres 1978. Madleen Kane - Rough Diamond (1978) 06:18. Madleen Kane - Rough Diamond (1978) 06:14.
Rush began life as a power trio in the Led Zeppelin/heavy rock mode. Over the years the band refined their musical vision as they gained both instrumental and conceptual facility. 1978's HEMISPHERES marks their transition from heavy riff-mongers to full blown art-rockers.
Album Name Hemispheres. Released date October 1978. Labels Moon Records (UKR). Members owning this album140. 1. Cygnus X-1 Book II: Hemispheres.
Rush makes their most flawless record yet that is still mind blowing to this day. Matthew Clouse. Matthew Clouse Jun 7, 2017. Hemispheres is the sixth studio album by Canadian rock band Rush, released on October 29, 1978, by Mercury Records in the United States. Its total length is 36:08. The band's lineup included vocalist, bassist, and synths player Geddy Lee, guitarist Alex Lifeson, and drummer Neil Peart. Rush's previous release had a progressive feel throughout the whole album, but Hemispheres takes it to a whole new level with a 18 minute epic and an instrumental that spans almost 10 minutes.
Rush - Hemispheres, Anthem Records. Arguably the peak of Rush’s technical ambitions, 1978’s Hemispheres captures the iconic Canadian trio of Geddy Lee, Alex Lifeson, and Neil Peart drawing as much as they ever would on sheer musical ability and compositional chops. An expanded, 40th anniversary reissue of the album, which features a 2015 remaster on CD for the first time along with an extra disc of live recordings from the period, also includes a profusely detailed, 11,000-word liner-note essay by longtime music writer/historian and musicology professor Rob Bowman, who takes us inside the process from conception to completion.