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Billberg Quintet, Rolf Billberg - Billberg album flac

  • Performer: Billberg Quintet
  • Album: Billberg
  • FLAC: 1556 mb | MP3: 1736 mb
  • Released: 1956
  • Rating: 4.6/5
  • Votes: 507
Billberg Quintet, Rolf Billberg - Billberg album flac


A Yesterdays
B1 I'm Beginning To See The Light
B2 Old Man River


  • Bass – Urban Moberg
  • Drums – William Schiöpffe
  • Piano – Lars Bagge
  • Tenor Saxophone – Rolf Billberg
  • Valve Trombone – Curt Järnberg*


Rec.:Copenhagen, Sept. 26, 1956

Listen to music from Rolf Billberg like Curly Curt, Tautology & more. Find the latest tracks, albums, and images from Rolf Billberg.

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Rolf Billberg Quintet Featuring Lars Gullin (Modern Music (Swd) EP 102). Rolf Billberg, tenor sax; Lars Gullin, baritone sax; Claes-Goran Fagerstedt, piano; George Riedel, bass; Bosse Stoor, drums. Stockholm, Sweden, March 28, 1955. 246. Too Marvelous For Words. 248. Double Kick (as BBC Blues). also issued on Sonet (Swd) SXP-2505. Rolf Billberg - Hacke Bjorksten 5 (Modern Music (Swd) EP 101).

Rolf Billberg (22 August 1930 – 17 August 1966) was a Swedish alto saxophone player active during the 1950s and 1960s. Rolf Billberg was born in Lund, Sweden on 22 August 1930 and grew up living with his mother in Gothenburg. At age 17 Billberg began playing clarinet and playing with an Uddevalla military band for four years. He then made the switch to the tenor saxophone and worked with local bands in Visby, Borås and Gothenburg, going to Stockholm in 1954 to join the Simon Brehm orchestra.

Tracks count: 19. Views: 12. Rolf Erickson, Benny Bailey Quintet - Guessin' 06:10. Bengt Hallberg Trio - Dinah 02:52. Rolf Billberg Quintet - Curly Curt 04:38. Jan Johansson Quintet - The Nearness of You 04:10. George Riedel, Jan Johansson, Willy Lundin - There'll Never Be Another You 03:21. Lars Gullin Octet - Fredja 05:05. Putte Wickmans Orchestra - Swinging the Blues 02:37. Eje Thelns Kvinett - Our Love Is Here to Stay 02:49. Bengt Hallberg Trio - Dr's Special 03:58. Lars Gullin Octet - Ma 04:39.

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Billberg also crossed the bay to reach Copenhagen, where Danish boppers such as Ib Glindemann were happy to receive him. In all these contexts, Billberg blew tenor. In 1957 he switched to the alto saxophone and began working in countries such as France and Germany, playing in clubs catering to fans of American jazz.

Billberg's intellectual posture towards the art of sound compelled him to regard music as something utterly beautiful, to . .