» » Ludwig van Beethoven / Mischa Maisky / Martha Argerich - Cello Sonata In F Major, Op. 5 / Variations

Ludwig van Beethoven / Mischa Maisky / Martha Argerich - Cello Sonata In F Major, Op. 5 / Variations album flac

  • Performer: Ludwig van Beethoven
  • Album: Cello Sonata In F Major, Op. 5 / Variations
  • FLAC: 1565 mb | MP3: 1400 mb
  • Released: 1991
  • Country: Europe
  • Rating: 4.2/5
  • Votes: 879
  • Format: MPC AU AA MP1 XM MMF VQF
Ludwig van Beethoven / Mischa Maisky / Martha Argerich - Cello Sonata In F Major, Op. 5 / Variations album flac

Tracklist

12 Variations In F Major On Ein Madchen Oder Weibchen From Mozart's Die Zauberflote, Op. 66 9:19
1 Thema. Allegretto
2 Variation I
3 Variation II
4 Variation III
5 Variation IV
6 Variation V
7 Variation VI
8 Variation VII
9 Variation VIII
10 Variation IX
11 Variation X. Adagio
12 Variation XI. Poco Adagio Quasi Andante - Attacca Subito:
13 Variation XII. Allegro
Cello Sonata In F Major, Op. 5, No. 1
14 Adagio Sostenuto 3:00
15 Allegro 12:33
16 Adagio - Presto-Tempo Primo 1:25
17 Rondo. Allegro Vivace
Cello Sonata In F Major, Op. 5, No. 2
18 Adagio Sostenuto E Espressivo - Attacca: 5:27
19 Allegro Molto Piu Tosto Presto 9:42
20 Rondo. Allegro 7:37
7 Variations On Bei Mannern, Welche Liebe Fuhlen From Mozart's Die Zauberflote, WoO 46 9:48
21 Thema. Andante
22 Variation I
23 Variation II
24 Variation III
25 Variation IV
26 Variation V. Si Prenda Il Tempo Un Poco Piu Vivace
27 Variation VI. Adagio - Attacca Subito
28 Variation VII. Allegro Ma Non Troppo

Companies, etc.

  • Manufactured For – BMG Direct Marketing, Inc. – D 100058
  • Licensed To – BMG Direct Marketing, Inc.
  • Manufactured By – PolyGram Classics & Jazz
  • Phonographic Copyright (p) – Deutsche Grammophon

Credits

  • Cello – Mischa Maisky
  • Composed By – Ludwig van Beethoven
  • Piano – Martha Argerich
  • Producer – Wolfgang Stengel

Other versions

Category Artist Title (Format) Label Category Country Year
00289 479 5148 Beethoven* / Mischa Maisky • Martha Argerich Beethoven* / Mischa Maisky • Martha Argerich - Cellosonaten Op. 5 / Variationen ‎(CD, Album, RE) Deutsche Grammophon 00289 479 5148 Europe 2015
431 801-2 Beethoven* - Mischa Maisky • Martha Argerich Beethoven* - Mischa Maisky • Martha Argerich - Cellosonaten Op. 5 • Variationen ‎(CD, Album) Deutsche Grammophon 431 801-2 Europe 1991
431 801-2 Beethoven* - Mischa Maisky, Martha Argerich Beethoven* - Mischa Maisky, Martha Argerich - Cellosonaten Op. 5 • Variationen ‎(CD, RE) Deutsche Grammophon 431 801-2 Europe Unknown


Ludwig van Beethoven (1770 - 1827) Sonata for cello and piano N. in G minor, O. Sonate für . Performed: Mischa Maisky, Cello Martha Argerich, Piano.

Sonata For Piano And Cello No. 1 In F Major Op. 5 No. 1. Composed By – Ludwig van Beethoven. Seven Variations On "Bei Männern, Welche Liebe Fühlen" Wo0 46 In E Flat Major. Composed By – Ludwig van BeethovenComposed By – Mozart. This is CD27 of the box Martha Argerich - The Complete Recordings On Deutsche Grammophon and not an individual release. Comes in cardboard, facsimile replica of the original release, sleeve.

other tracks: Mischa Maisky, Martha Argerich. play) (pause) (download) (fb) (vk) (tw). Mischa Maisky, Martha Argerich Sonata for Piano & Cello in D Major Op. 102, No. 2; 1. Allegro con brio. play) (pause) (download) (fb) (vk) (tw)

Exclusive discount for Prime members. Sample this album Artist (Sample). 30. Sonata For Cello And Piano N. In A, O. 9 - 1. Allegro Ma Non Tanto. 2. 9 - 2. Scherzo (Allegro Molto). 69 A major sonata and the two Op. 102 sonatas. This disc is excellent in every respect.

The Sonatas for cello and piano No. 4 in C major, Op. 1, and No. 5 in D major, Op. 2, by Ludwig van Beethoven were composed simultaneously in 1815 and published, by Simrock, in 1817 or early 1818 with a dedication to the Countess Marie von Erdődy, a close friend and confidante of Beethoven. The two sonatas were composed between May and December 1815. A first copy by Beethoven’s copiest Wenzel Rampl was made in late 1815 but was then subject to further alterations by Beethoven

Beethoven: Cellosonaten, Op. 5; Variations. CD - Deutsche Grammophon Sonata for cello & piano No. 1 in F major, Op. 5/1. 14. Adagio sostenuto -. Martha Argerich, Mischa Maisky.

Featured on Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66; Sonatas For Cello And Piano, Op. 5; 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46. More by Ludwig van Beethoven. Beethoven Light Classical. Beethoven: Violin Sonatas Nos. 4 & 9. ピアノソナタ. Listen to Ludwig van Beethoven in full in the this site app. Play on this site.

Free Download Beethoven : Cello Sonata N. in F Major, O., Melodio mp3 song file with Music Video clip full hd audio uploaded by melodio. 1, Ludwig van Beethoven. 2011-02-22 25:49 minutes 13,507 views. Free Download Sonata No. 1, Ludwig van Beethoven mp3 song file with Music Video clip full hd audio uploaded by Rodney Leinberger. Beethoven Sonata for cello and piano No 1 Op 5 No 1 in F major (1/2). 2013-10-28 10:45 minutes 11,243 views. Free Download Beethoven Sonata for cello and piano No 1 Op 5 No 1 in F major (1/2) mp3 song file with Music Video clip full hd audio uploaded by MagicDonDino.

Artist: Mischa Maisky. Album: Beethoven: The Cello Sonatas, 1994. Provided to YouTube by Universal Music Group. Beethoven: Sonata For Cello And Piano N. N. - 1a. Adagio sostenuto e espressivo · Mischa Maisky · Martha Argerich. Beethoven: The Cello Sonatas. 1991 Deutsche Grammophon GmbH, Berlin. Released on: 1994-01-01

Sonata For Piano & Cello In F Major Op. 5, No. 1: Adagio - Presto-Tempo primo 17. Sonata For Piano & Cello In F Major Op. 1: 2. Allegro vivace 18. Sonata For Piano And Cello In G Minor O. One can at times think the sheer force and passion of Martha Argerich's personality a bit too obvious, not least in the C major Sonata, where Maisky characteristically sounds smoother and more persuasive. Her contribution to the playful finale of the G minor, which she opens, is kittenishly mannered, claws and all, in a way that one may question despite the deftness of her playing; throughout this movement, as sometimes elsewhere, it is Mischa Maisky who sounds the more natural Beethovenian, and one wishes that his pianist did not feel the need to make us register.

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