» » Paul Hindemith, Berlin Philharmonic Orchestra - Concert Music For Piano, Brass And Two Harps, Op. 49 - Concerto For Orchestra, Op. 38 - Cupid And Psyche

Paul Hindemith, Berlin Philharmonic Orchestra - Concert Music For Piano, Brass And Two Harps, Op. 49 - Concerto For Orchestra, Op. 38 - Cupid And Psyche album flac

  • Performer: Paul Hindemith
  • Album: Concert Music For Piano, Brass And Two Harps, Op. 49 - Concerto For Orchestra, Op. 38 - Cupid And Psyche
  • FLAC: 1372 mb | MP3: 1960 mb
  • Style: Modern
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Paul Hindemith, Berlin Philharmonic Orchestra - Concert Music For Piano, Brass And Two Harps, Op. 49  - Concerto For Orchestra, Op. 38 - Cupid And Psyche album flac

Tracklist

Concert Music For Piano, Brass And Two Harps, Op. 49
A1 1. Ruhig gehende Viertel; 2 . Lebhaft
A2 3. Sehr ruhig. Variationen; 4. Mässig schnell, kraftvoll
Concerto For Orchestra, Op. 38
B1 1. Mit Kraft, mässig schnelle Viertel; 2 . Sehr schnelle Halbe
B2 3. Marsch für Holzbläser; 4. Basso ostinato
B3 Cupid And Psyche (Farnesina) Ballet Overture

Credits

  • Conductor – Paul Hindemith
  • Orchestra – Berlin Philharmonic Orchestra*
  • Piano – Monique Haas (tracks: A1 to A4)
  • Sleeve Notes – Arthur Cohn

Konzertmusik, for brass & strings, O. Israel Philharmonic Orchestra Leonard Bernstein The work is in two movements.

All broadcasts from the 2018 season of the BBC Proms.

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Konzertmusik for brass and string orchestra, Op. 50 (1930). Philharmonic Concerto (Variations for Orchestra) (1932). Symphony: Mathis der Maler (1933/34). Symphonic Dances (1937). Acht Gesänge, Op. 18, for soprano voice and piano (1920). Des Todes Tod, Op. 23a, three songs, based on poems by Eduard Reinacher, for voice, 2 violas and 2 violoncellos (1922). Die junge Magd, Op. 23b, six poems by Georg Trakl, for voice, flute, clarinet and string quartet (1922). Tuttifäntchen, Weihnachtsmärchen mit Gesang und Tanz in drei Bildern (Christmas Fairytale with singing and dancing in three scenes). Das Marienleben, Op. 27, song cycle for soprano and piano, based on poems by Rainer Maria Rilke, which exists in two versions

Play "Concert Music for Piano, Brass and Two Harps, O. 9: III. Mässig schnell, kraftvoll" by "Paul Hindemith" (Concert Music for Piano, Brass and Two Harps, O. Mässig schnell, kraftvoll، Paul Hindemith).

More by Paul Hindemith. Hindemith: Complete Works for Violin & Piano. Milestones of a Legend: Hans Rosbaud, Vol. 1. More Cello Giants, Vol. 7. Hindemith: 4 Sonatas for Viola Solo. Hindemith: Five Brass Sonatas. You look like someone who appreciates good music.

Berlin th - DGG 474771 (BW). Queensland Symphony/Albert - CPO 999784 (RC). Concerto for Orchestra, Op. 38. Berlin th - DGG 474771 (BW). Olding/Queensland Symphony/Albert - CPO 999784 (RC). Kammermusik for Piano & Orchestra, Op. 36 ouw Orchestra/Chailly - Decca 473722 (GF). Konzertmusik for Piano, Brass & Harps, Op. 49. Haas/Berlin th - DGG 474771 (BW). Frankfurt Radio Symphony/Albert - CPO 999783 (RC). Konzertmusik for Strings & Brass, Op.

Concert Music for Strings and Brass, Op. 50. Band 1. Moderately Quickly, With Energy. Band 2. Lively; Slowly; Lively. Hindemith - Philadelphia Orchestra, Eugene Ormandy - Konzertmusik Op. 50, Symphonische Metamorphosen ‎(LP, Album). 1C 063-03 505. Germany.

Franz Schmidt: Symphony No. 3; Paul Hindemith: Concerto for Orchestra Op. 1992.

These are from the version of o. 53 as a piano (2 hands) and orchestra work - which was prepared, though whether which Czerny's approval I do not know - the orchestral parts may be slightly different for the marginally more familiar piano-4-hands and orchestra version, likely for balance reasons, just as they are in another way in the string parts to. Franz Schmidt's quintets for left-hand piano when the piano part is arranged for 2 hands. Concerto for Piano 4 Hands and Orchestra.

Konzertmusik fr Streichorchester und Blechblser, op. 50 (1930) On 2 March 1929 Serge Koussevitzky contacted Hindemith and asked him to compose a work of his own choosing to be performed in 1931, when the Boston Symphony Orchestra would celebrate its 50th anniversary. Hindemith probably knew the four-hand Weber piano pieces which he used for the Symphonic Metamorphosis because he and his wife had played them at home; they are all found in his private library. Paul and Gertrud Hindemith attended the concert. Since then, the work has been one of Paul Hindemiths best-known orchestral compositions.

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