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By The End Of Tonight - The Gunslinger EP album flac

  • Performer: By The End Of Tonight
  • Album: The Gunslinger EP
  • FLAC: 1112 mb | MP3: 1923 mb
  • Released: 2006
  • Style: Abstract
  • Rating: 4.1/5
  • Votes: 766
By The End Of Tonight - The Gunslinger EP album flac


1 Uncontrollable Like A Teenage Daughter 6:46
2 Death Is The New Life 0:32
3 West Side Boring 5:10
4 Life Is The Old Death 0:33


  • Guitar, Programmed By, Bass – Stefan Mach
  • Programmed By – Jeff Wilson


Part one of a four part series of 3" CDs. Each CD is by a different member of the band, and when joined together the four CD covers form two pieces of art, one per side.

Limited to 500 copies.

6 USD. The inaugural release in the 4-part series of By the End of Tonight 3" CDs comes from guitarist Stefan Mach, and it screams out of the gate with two epic psycho metal jams that burn the mall down.

West Side Boring, from BtEoT's "The Gunslinger EP.

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This album takes them to a whole new plain. Opening track 4s, 5s And The Piano That Never Made It Home starts with a calming, relaxing guitar riff, slowly building with the addition of beautifully conceived bass and guitar parts, it builds and drops into a crescendo of distorted guitars and pounded drums that would make Explosions in the Sky envious, before dropping back into the opening section. They each made a short EP due to travel difficulties in recording and rehearsing together. Fans of early Blood Brothers, AIDS Wolf, any avant-noisy music should check out "He's Home With Bones That Grow The Way They're Supposed T. Inspired, experimental genius.

In The Gunslinger (originally published in 1982), King introduces his most enigmatic hero, Roland Deschain of Gilead, the Last Gunslinger. He is a haunting, solitary figure at first, on a mysterious quest through a desolate world that eerily mirrors our own. Pursuing the man in black, an evil being who can bring the dead back to life, Roland is a good man who seems to leave nothing but death in his wake.

A Tribute To Tigers (Temporary Residence, 2005), a 34-minute mini-album, refined their aesthetic of subjecting melodies to irrational sequences of harmonic torture. The eight-minute overture 4's 5's And the Piano That Never Made It Home alternates between hailstorms of collective jamming and quiet shimmering guitar notes over tenuous drums and bass, explosive hard-rock riffs and tempo shifts a& la prog-rock (with peaks of head-banging thrash)