Clearlake - Cedars album flac
|Sounds Of Clearlake||9:04|
|Almost The Same||3:56|
|The Mind Is Evil||3:48|
|Wonder If The Snow Will Settle||3:23|
|Can't Feel A Thing||3:00|
|I'd Like To Hurt You||3:46|
|Come Into The Darkness||4:12|
|Just Off The Coast||2:51|
|It's All Too Much||4:29|
|Treat Yourself With Kindness||5:54|
|Trees In The City||4:20|
|WIGCD117||Clearlake||Cedars (CD, Album)||Domino, Dusty Company||WIGCD117||UK||2003|
|WIGCD117P, RUG148CDP||Clearlake||Cedars (CD, Album, Promo)||Domino, Domino||WIGCD117P, RUG148CDP||UK & Europe||2002|
|none||Clearlake||Cedars (11xFile, MP3, 320)||Domino||none||UK||2003|
|EVERCD230||Clearlake||Cedars (CD, Album)||Everlasting Records||EVERCD230||Spain||2003|
|DNO20CD||Clearlake||Cedars (CD, Album)||Domino USA||DNO20CD||US||2003|
|WIGLP117||Clearlake||Cedars (LP, TP)||Dusty Company||WIGLP117||UK||2003|
|WIGCD117, ZAKCD028||Clearlake||Cedars (CD, Album)||Domino, Dusty Company, Zakat||WIGCD117, ZAKCD028||Russia||2004|
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Cedars was the second album released by Clearlake, in 2003, two years after their debut release, Lido. It includes the single "Almost the Same", and both tracks from the double A-side "The Mind Is Evil"/"Come Into the Darkness". The album also includes a secret hidden track. It is located in the pregap before the first track on the CD. Irvin Baker – Mixing. James Butcher – Percussion, Drums, Group Member. Clearlake – Engineer. Matthew Cooper – Layout Design, Collage. Jason Evans – Photography.
Members: Jason Pegg - Vocals, Guitar, Keys Sam Hewitt - Keys, Samples Dave Woodward - Bass James Butcher - Drums. When Clearlake came on the scene with their 2001 debut Lido, listeners found themselves bored by the dreariness of a band trying it’s hardest to conjure up emotion to the point where the final product was unfocused and barely listenable. It was for this reason that I was skeptical when I was told that their second album Cedars was a big step up for the band. Sure, it still is hardly something you are going to want to listen to while sitting on the beach sipping daiquiris, and that is not what it is intended for.
The recording of Clearlake Cedars began in September of 2001 in a remote house near Fismes, Reims, France It continued, some months later, in a sweet smelling dungeon known as Banjo's, beneath a gourmet restaurant called the BBQ hut in Hove, Sussex Additional bits and pieces were recorded near seven dials and St Lukes Church, Hove The final recording and mixing was. done at the Metway, Kemp Town. Recorded and engineered in France and Hove by Clearlake Recorded and engineered at the Metway by Giles Hall and Tobias May Mastered at Abbey Road.
Listen to music from Clearlake like Almost The Same, Can't Feel A Thing & more. Find the latest tracks, albums, and images from Clearlake. Indie rock outfit from Brighton, UK. Three albums to date - Lido, Cedars and Amber, all of which have been released to almost universal critical acclaim. Also released the album Musikland under the alias Not Bit of Wood. Currently signed to Domino records, please visit ww. learlake.
Is Cedars the best album by Clearlake? BestEverAlbums. com brings together thousands of 'greatest ever album' charts and calculates an overall ranking. This album At A Glance. Cedars by Clearlake (2003) Overall rank: 8,971st. Accolades: Top albums of 2003 (212th). Top albums of the 2000s (2,109th). Best albums of all time (8,971st).
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Cedars (Domino) With their sophomore full-length, Brighton, UK's Clearlake grab the reins of Britpop from Blur and run away with the race. Things start off at full gallop with the glimmering guitars of "Almost the Same," then take a sharp left turn into the lush, orchestrated gloom of "The Mind Is Evil.
Throughout Cedars, Clearlake continually find beauty in melancholy and melancholy behind beauty, while raising your hairs in reverence with occasional guitar squalls. Pitchfork Media "This is one of the most unique, inviting, and ultimately thrilling song cycles released this year. Delusions of Adequacy "A beautiful record.
Clearlake are crucially compassionate. Jason Pegg’s voice betrays his own uncertainty but also the need to reach out to the listener. The opening Almost The Same rocks, but in a post-Neu! way.