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Saturated Color - Glove 001 album flac

  • Performer: Saturated Color
  • Album: Glove 001
  • FLAC: 1953 mb | MP3: 1902 mb
  • Released: 2018
  • Style: House
  • Rating: 4.5/5
  • Votes: 958
Saturated Color - Glove 001 album flac


A1 Schiphol 6:00
A2 Station 1 3:30
B1 Passage 6:32
B2 Station 2 3:31


Vladimir Prysich - Ukraine

Saturated Color - Passage.

Stream Tracks and Playlists from Saturated Color on your desktop or mobile device.

Cassette + Digital Album. Hand packaged, Limited yellow cassette featuring four tracks from Saturated Color. Includes unlimited streaming of Glove 001 - Saturated Color via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. 1. Saturated Color - Schiphol 06:00. 2. Saturated Color - Station 1 03:30. 3. Saturated Color - Passage 06:23. 4. Saturated Color - Station 2 03:31.

Colorfulness, chroma and saturation are attributes of perceived color relating to chromatic intensity. As defined formally by the International Commission on Illumination (CIE) they respectively describe three different aspects of chromatic intensity, but the terms are often used loosely and interchangeably in contexts where these aspects are not clearly distinguished. The precise meaning of the terms vary by what other functions they are dependent on.

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Products represented GLOVE ON FIGHT. Platforms represented PC. Covers.

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Compile the source: cd GloVe-1. Run the demo script:. Consult the included README for further usage details, or ask a question. Download pre-trained word vectors. Pre-trained word vectors.

Our use of a color glove is inspired by advances in cloth mocap, where dense patterns of colored markers have enabled precise de-formation capture [White et al. 2007; Scholz et al. 2005; Guskov et a. We describe a glove with twenty patches colored at random with a set of ten distinct colors (See Figure 2). Our color set is limited by our computer vision system, which looks for fully saturated col-ors to segment the hand from the background. Our camera could reliably distinguish only ten of these colors due to shadows and shading. We chose to use a few large patches rather than numer-ous small patches because smaller features are less robust to occlu-sion and require more complex patch identication algorithms fo. .