Théâtre Du Chêne Noir - Aurora album flac
Tracklist Hide Credits
|A1||Arrivée De La Terre Et De Ses Enfants: L'aurore
Cello – Guy PaquinFlute [Bamboo Made By Chêne Noir] – Pierre SurtelFlute [Transverse] – Jean-Marie RedonGong – Daniel DubletVocals – Nicole Aubiat
Drums – Gérard GelasElectric Guitar [Bowed] – Daniel DubletFlute [Transverse] – Jean-Marie Redon, Pierre SurtelVocals – Benedicte Maulet
|A3||La Vieillesse Et La Mort
Alto Saxophone – Pierre SurtelDrums – Gérard GelasElectric Guitar [Bowed] – Daniel DubletFlute [Transverse] – Jean-Marie RedonTrumpet – Guy Paquin
|B1||Le Conte De La Terre Et De Ses Enfants Et La Première Apparition Des Hommes Oiseaux
Alto Saxophone – Pierre SurtelCello – Guy PaquinElectric Guitar [Bowed] – Daniel DubletFlute [Transverse] – Jean-Marie RedonGong – Gérard Gelas
|B2||La Fascination Des Enfants De La Terre Par Les Hommes-Oiseaux
Bongos – Daniel DubletCymbal [Bowed] – Nicole Aubiat
Alto Saxophone – Pierre Surtel
- Composed By, Photography By – Chêne Noir*
- Cover – Créadico
- Engineer – E. Maby*
- Executive-Producer – Mauro Moroni
- Producer – Gérard Terrones*
- Voice – Benedicte Maulet, Daniel Dublet, Guy Paquin, Jean-Marie Redon, Nicole Aubiat, Pierre Surtel
NotesRecorded on the 22nd and 23rd of June 1971 in Avignon.
The name is given as Théâtre du Chêne Noir on the front cover and labels, but Théâtre du Chêne Noir d'Avignon on the spine and back cover.
This is a mono recording.
Barcode and Other Identifiers
- Matrix / Runout: FUT - 2033
|VOIX 01||Théâtre Du Chêne Noir*||Aurora (LP)||Futura Records||VOIX 01||France||1971|
|MMP 405||Théâtre du Chêne Noir d'Avignon||Aurora (CD, Album, RE)||Mellow Records||MMP 405||Italy||2000|
|none||Théâtre du Chêne Noir d'Avignon||Aurora (CD, Album, RE, Unofficial)||G. & P. Essential Music||none||Russia||2001|
Though Chene Noir is a theatrical performance company, on this disc they are firmly entrenched in the avant-garde with tracks that lack any sort of song structure, but instead offer slow, free-form . Aurora is one strange trip, even without the visual performance that accompanied it when first performed.
Recorded At – Théâtre Du Chêne Noir, Avignon. Composed By, Photography By – Chêne Noir. The name is given as Théâtre du Chêne Noir on the front cover and labels, but Théâtre du Chêne Noir d'Avignon on the spine and back cover. This is a mono recording. Aptly with a jazzier footing here than on later albums, Chene Noir's overriding character on all their album releases was always the prominence of female vocal narration and acting to music. This always gave the feeling, being poetic and atmospheric as something between the early Brigitte Fontaine albums and the surreal visionary works of Jean Cocteau, which is quite apt considering the subject matter of their albums.
Aurora is one strange trip, even without the visual performance that accompanied it when first performed. The second record by this theater troupe is a far more relaxed affair than the chaos of Aurora. Gone are the screams and howls to a free-form squall of noise. Instead, Nicole Aubiat's voice, mostly spoken, rides almost continuously over the steady ethno-percussion jazz-rock of the band.
Aurora by Théâtre du Chêne Noir d'Avignon, released 20 March 2019 1. Arrivée De La Terre Et De Ses Enfants: L'Aurore 2. Le Bonheur 3. La Vieillesse Et La Mort 4. Le Conte De La Terre Et De Ses Enfants Et La Première Apparition Des Hommes Oiseaux 5. La Fascination Des Enfants De La Terre Par Les Hommes-Oiseaux 6. Vivre Futura Voix 01 Théâtre du Chêne noir d'Avignon Gérard Gélas (batterie & gongs), Pierre Surtel (Flûte bambou-fabrication Chêne noir, flûte traversière, saxophone alto & voix), Jean-Marie Redon (flûte traversière & voix), Guy Paquin (violoncelle, trompett.
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Théâtre du Chêne Noir d'Avignon has been played on NTS shows including We Ar. / Paul Camo, with Le Train first played on 23 March 2015.
Aurora is Susumu Hirasawa's fourth solo album. His first main solo album in three years following a period where focus was directed on the Defrosted P-Model, Aurora, which Hirasawa has said can be considered a second solo debut, is a turning point in his career. Unlike the previous solo albums, Aurora doesn't feature guest musicians, with almost all instrumentation handled by MIDI-compatible devices.
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