Gene Ammons - Boss Tenor album flac
- Album: Boss Tenor
- FLAC: 1534 mb | MP3: 1823 mb
- Released: 1960
- Style: Hard Bop, Soul-Jazz
- Rating: 4.6/5
- Votes: 659
- Format: DTS FLAC XM MP4 MOD DXD WMA
Boss Tenor - Gene Ammons. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией.
Hittin' the Jug - Gene Ammons, from the "Boss Tenor" album 1960.
Angel Eyes, Boss Tenor - Gene Ammons. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией
Listen free to Gene Ammons – Boss Tenor (Hittin' the Jug, Close Your Eyes and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.
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Boss Tenor is an album by saxophonist Gene Ammons recorded in 1960 and released on the Prestige label. This is a fine outing by one of the true "bosses" of the tenor". All compositions by Gene Ammons except where noted. Hittin' the Jug" – 8:29. Close Your Eyes" (Bernice Petkere) – 3:46.
The great tenor saxophonist Gene Ammons was of the generation of swing-era players that easily adapted to bop. But though he was a modernist, Ammons maintained that breathy, old-school romantic approach to the tenor. Boss Tenor, a quintet session from 1960, is one of Ammons' very best albums. Accompaniment by Tommy Flanagan, one of the best mainstream pianists ever, certainly doesn't hurt, either.
Boss Tenor (LP, Album, Mono). Boss Tenor (CD, Album, RE, RM). Original Jazz Classics, Prestige. Boss Tenor (LP, Album).
The quality of recordings is excellent. Gene Ammons was brilliant and a joy to hear. 3 people found this helpful.
Artists Gene Ammons Boss Tenor. Boss Tenor Gene Ammons. This album has an average beat per minute of 123 BPM (slowest/fastest tempos: 69/196 BPM). Tracklist Boss Tenor.
Gene Ammons: Boss Tenor by Matthew Aquiline, published on July 20, 2016. Widely regarded as an original founder of the "Chicago school of tenor sax," Ammons' nonchalant, yet indelible sound-echoing the soft, breathy tone of Lester Young-drove him to a great deal of fame within the post- World War II jazz crowds of the '50s