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Unknown Artist - Les Edits Du Golem 1 album flac

  • Performer: Unknown Artist
  • Album: Les Edits Du Golem 1
  • FLAC: 1764 mb | MP3: 1680 mb
  • Released: 2007
  • Style: Reggae, Dub, Soul, Funk, Disco
  • Rating: 4.1/5
  • Votes: 226
  • Format: MIDI AHX VQF RA AA XM ADX
Unknown Artist - Les Edits Du Golem 1 album flac

Tracklist

A1 Sumak
B1 Klout
B2 Pyramide

Notes

"Sumak" is re-edit of "Abu Ali" from: Ziad Rahbani - Abu Ali
"Klout" is a re-edit of "Sunshine Baby" from: Clout - Save Me
"Pyramide" is a re-edit of "Nisyan" from: Ahmed Fakrun* - Nisyan

Barcode and Other Identifiers

  • Matrix / Runout (Text Side): GOLEM - 1 - A -
  • Matrix / Runout (Logo Side): GOLEM - 1 - B -


An animated film whose storyline was created by patients in a French mental health clinic.

dur. I:Cube- Hnt. скачать песню.

Track B1 mixed at Trident London Exclusive distribution Musidisc - Europe

the time has come for the world to experience the power of the golem. each release will be around a specific theme.

Reposts The time has come for the world to experience the power of the Golem. Download on the App Store Get it on Google Play.

golem episode 3 : he has now left the earth to conquer the universe. and this 12inch deliver us the soundtrack of this space odyssey ! on a side youll find spacerock.

wstrn ft unknown t. agoria ft noemie. polow da don feat saint laron bando jonez.

Hmm, it looks like we don't know anything about this artist! Can you help out? Do you have any photos of this artist?

Wafi
very cool release that needs a repress asap please, :)
It's so easy
Ahmed Fakroun. Born in the Libyan city of Benghazi, he spent long periods in the UK and France in the 1970s and 1980s, recording a handful of singles and albums. Reduced to a mere mention in specialist music encyclopedias after Libya's years of international isolation made it difficult for him to market his music to the outside world. However, he recently came to prominence among obscurity-hungry club DJs when some of his early songs were rediscovered, re-edited and reissued anonymously. Ahmed Fakroun looked set to make his mark in world music circles in the mid-1980s when his album Mots D'Amour, combining traditional Arab instruments and melodies with electronic music and dance rhythms, was released on the Celluloid label in France. But then came the US aerial bombing of Libya in April 1986, followed by years of international sanctions, as evidence of terror links turned Libya's government into a pariah of the West and seriously impeded its citizens' freedom of movement. "When I look to my press book, I found the articles stopped in 1986," he told the BBC. "It was so difficult for me to be in two places at the same time". "To take a plane to go from my home town to any part of the world, I had to go across the Tunisian border to Jerboa, about 700km, or take a boat to Malta overnight, then [travel] the next day to the other part of the planet. Imagine the rest of the story." As it happened, record companies did manage to market Arabic pop to international music fans at that time, but Fakroun missed out. Instead, all the action came from neighbouring Algeria, as Khaled, Cheb Mami and others introduced the world to the North African sound known as rai music. And that seemed to be that, until about a year ago. Then a New York-based DJ known as Prince Language unearthed an old Ahmed Fakroun track called Soleil Soleil, re-edited it and put it out on a 12-inch single, renamed Yo Son. "Prince Language delivers an edit of an 80s obscurity that sounds like it could have been an outtake from Talking Heads backing an Arabic R group," said one. A few months later, some French DJs working under the name of Les Edits Du Golem released a 12-inch EP featuring a tune called Pyramide - in reality, a re-edited version of Fakroun's 1977 single Nisyan. Even though neither record was authorised by Fakroun, he was grateful for the renewed exposure. "I was very happy that these tracks are still alive in people's minds," he says. "Thanks to those DJs from all over the world, playing and re-editing and refreshing those tracks. No, I don't mind. It's good for me to hear them in a good re-edit or mix, as long as they respect copyrights" Amended and edited from bbc website 14/06/2008
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