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Carol Woods - Out Of The Woods album flac

  • Performer: Carol Woods
  • Album: Out Of The Woods
  • FLAC: 1459 mb | MP3: 1750 mb
  • Released: 1971
  • Country: UK
  • Style: Soul
  • Rating: 4.4/5
  • Votes: 149
  • Format: AC3 MP1 MOD AA MP2 WMA AU
Carol Woods - Out Of The Woods album flac


A1 Bigger Than I
A2 There's Gotta Be A Way
A3 But You Know I Love You
A4 If I Let You
A5 You Must Be Good To Me
B1 Baby Don't You Leave Me
B2 Why You Wanna
B3 Can You Wanna
B4 Will You Still Love Me Tomorrow
B5 The Woods Are Full

Other versions

Category Artist Title (Format) Label Category Country Year
NR 5059 Carol Woods Out Of The Woods ‎(LP, Album) Ember Records NR 5059 UK 1971
85 499-1 Carol Woods Out Of The Woods ‎(LP, Album) Ember Records 85 499-1 Spain 1972
FVCD006 Carol Woods Out Of The Woods ‎(CD, Album, RM) Fantastic Voyage FVCD006 UK 2010
ZCE 5059 Carol Woods Out Of The Woods ‎(Cass, Album) Ember Records ZCE 5059 UK 1972

Lamont Dozier (Usa, 1977) - Peddlin' Music On The Side (Full Album) - Продолжительность: 39:50 Raúl.

OUT OF THE WOODS was originally released in 1978, but it sounds like it came from a time all its own. "Witchi-Tai-To" (composed by the late Jim Pepper) has a captivating, dreamlike feel, and "Reprise" shows the respect they have for the blues.

Free download and listen Into the Woods, Out of the Woods. pop. Album year: 2013.

Carol Woods was born in Jamaica, New York in 1943. She was deeply influenced by her grandfather, a Pentecostal minister, and her mother Marion Jones, which led her to become lead singer with the local church choir. Originally Carol only sang gospel music, but after a career as a registered nurse, her friends encouraged her to get her first club engagement. Between 1965 and 1970, she sang with a local group which became known as Carol Woods and the Executives. Out Of The Woods combines three singles and an album recorded for British independent Ember. The tracks were recorded in New York and London, late 1970 through 1972 with the best of session men from both cities. The original LP now fetches more than £60 on the internet and is a very collectable selection of seventies soul.

Out of the Woods is the second solo studio album by Everything but the Girl singer Tracey Thorn. It was released on 5 March 2007 on Virgin Records. The album charted on the Billboard 200, peaking at number 172 on 7 April 2007. The majority of the album's production was by Ewan Pearson who also produced the first single, "It's All True". Other collaborators included Cagedbaby, Charles Webster, Klas Lindblad, Martin Wheeler and Alex Santos.

The Woods is the seventh studio album by American alternative rock band Sleater-Kinney. It was released in 2005 on Sub Pop, their major label debut. The album was produced by Dave Fridmann and recorded from November 2004 to December 2004 at Tarbox Road Studios in Cassadaga, New York. The album received widespread critical acclaim. The Woods was produced by Dave Fridmann and recorded from November 2004 to December 2004 at Tarbox Road Studios in Cassadaga, New York.

Carol Woods (born November 13, 1943) is an American actress and singer. She is best known for her roles in Across the Universe (2007), Sweet and Lowdown (1999) and The Honeymooners (2005). In February 2008 she received a standing ovation during the 50th Grammy Awards broadcast singing "Let It Be" from the soundtrack of the film Across the Universe, with Timothy Mitchum. She explained that the song is about "the fragility and breakable nature of some relationships. This was a relationship where I was kind of living day-to-day wondering where it was going, if it was going to go anywhere, if it was going to end the next da. "Out of the Woods" was initially released as a promotional single on October 14, 2014, with no plans for a music video or an official release.

Out of the Woods is a pretty big disappointment for me. I've adored Seelenluft's previous releases and imagined him to be one of the few acts that would push downtempo away from the conservative humdrum of mass-market Chill-Out Lounge comps. But this album leaves no one satisfied: the Dido and Moby massive will find it too awkward for dinner table background music, and those of us who desire more innovation will find it simply lacking in distinction.

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