Generation X - Valley Of The Dolls album flac
Tracklist Hide Credits
|A1||Running With The Boss Sound
Composed By – Andrews*
|A2||Night Of The Cadillacs||3:20|
|B1||Valley Of The Dolls||3:34|
|B3||Love Like Fire||3:02|
|B4||The Prime Of Kenny Silvers (Part One)||3:55|
|B5||The Prime Of Kenny Silvers (Part Two)||3:22|
- Recorded At – Wessex Sound Studios
- Published By – Chrysalis Music Ltd.
- Phonographic Copyright (p) – Chrysalis Records Ltd.
- Copyright (c) – Chrysalis Records Ltd.
- Lacquer Cut At – Pye Studios
- Pressed By – Phonodisc Ltd.
- Art Direction – Peter Wagg
- Bass – Tony James
- Composed By – Idol*, James*
- Design – Janusz Guttner
- Drums – Mark Laff
- Engineer – Gary Edwards
- Guitar [Guitars] – Bob 'Derwood' Andrews*
- Management – Stewart Joseph
- Mastered By – tone*
- Photography [Inner Bag Photography] – L.F.I.
- Photography By [Generation X Sleeve Photography] – Rod Delroy
- Photography By [Inner Bag Photography] – Paul Cox
- Photography By [Sleeve Photography] – Paddy Eckersley
- Producer – Ian Hunter
- Vocals – Billy Idol, Bob 'Derwood' Andrews*, Mark Laff, Tony James
NotesIncludes printed inner sleeve with track lyrics, photographs of Generation X and additional credits.
The tracks 'The Prime Of Kenny Silvers (Part One)' and 'The Prime Of Kenny Silvers (Part Two)' are displayed as 'The Prime Of Kenny Silvers (Parts One and Two)' on the back cover.
Published by Chrysalis Music Ltd.
℗ & © 1979 Chrysalis Records Ltd.
Barcode and Other Identifiers
- Matrix / Runout (Stamped, Runout Side A [Variant 1]): CHR 1193 A // 2 E P
- Matrix / Runout (Stamped, Runout Side B [Variant 1]): CHR 1193 B // 1 E P
- Matrix / Runout (Stamped, Runout Side A [Variant 2]): CHR 1193 A // 2 ▽ E P 1 2 1
- Matrix / Runout (Stamped, Runout Side B [Variant 2]): CHR 1193 B // 1 E P 1 1
- Matrix / Runout (Etched, Runout Side A [Variant 2]): tone
|PV 41193||Generation X||Valley Of The Dolls (LP, Album, RE)||Chrysalis||PV 41193||US||1988|
|TOCP-53083||Generation X||Valley Of The Dolls (CD, Album, Promo)||Chrysalis||TOCP-53083||Japan||1999|
|VK 41193||Generation X||Valley Of The Dolls (CD, Album, Lon)||Chrysalis||VK 41193||US||Unknown|
|F2 21193||Generation X||Valley Of The Dolls (CD, Album, RE)||Chrysalis||F2 21193||US||Unknown|
|WWS-81199||Generation X||Valley Of The Dolls (LP, Album)||Chrysalis||WWS-81199||Japan||1979|
Generation X. Альбом.
Generation X. Generation X.
Generation X : Valley of the Dolls,альбом, рецезия, трек-лист, mp3, тексты песен.
Valley of the Dolls is the second studio long-player by the British post-punk band Generation X, which was produced by Ian Hunter. Valley of the Dolls was recorded at Wessex Sound Studios in Islington in October 1978. The record's working title was 'Intercourse (Old Meets New)', which was superseded by a name taken from a 1966 novel. Ian Hunter was commissioned as the record's producer at Tony James's request, from having been a fan of his work with Mott the Hoople in the early 1970's.
Into the valley of the dolls Into the valley of the dolls As into the valley of the dolls.
Valley of the Dolls – Keeper. English Dream – Delete. Love Like Fire – Delete. The Track Score is 5 out 10 tracks for a 50% score which isn’t that great. I thought the production of the album wasn’t impressive as it seemed there was no clear direction and the songs didn’t feel like they were a cohesive package. It felt like the band didn’t know what they wanted to sound like and were still finding themselves. Maybe Billy was too busy looking to go solo, who knows, but this was not a good effort.
Valley of the Dolls is the second studio album by British punk band Generation X produced by Ian Hunter. The album is only indirectly related to the novel and film of this name, and the title cut is an original song The album peaked at No. 51 in the UK Albums Chart.
But ridicule should not be so readily heaped on former employers, Generation X. Never in the same league as the Clash or the Pistols, the group nevertheless kicked up a fair amount of dust and recorded some memorable singles and a classy debut album. They were, after all, the first of the punk bands to truly embrace the rock industry and all its trappings. But on this, their second album, the band's limitations are self-evident
But ridicule should not be so readily heaped on former employers, Generation X. But on this, their second album, the band's limitations are self-evident