Cultural Roots - Revolutionary Sounds + Cultural Roots In Dub album flac
- Album: Revolutionary Sounds + Cultural Roots In Dub
- FLAC: 1558 mb | MP3: 1357 mb
- Released: 1978
- Style: Roots Reggae
- Rating: 4.7/5
- Votes: 785
- Format: MP2 XM AU DTS MOD TTA APE
We have a special night planned and stoked to ring in the new year with positive vibes!!! .11. 2. See all. Posts.
VA - Lion Roots Vo. (lion inc 1994) Lee Scratch Perry - Meets The Mad Professor In Du. .Singing Melody - Love thing (jet star charm 2002). Cindy Simeon - Lift . Enos Mc Loud - By The Look In Your Eyes (1978). Sugar Minott - Rydim (1985). Sugar Minott - Good Thing Going (1981). Tappa Zukie - Raggamuffin (1986) Bongo Backra & Coolie - Jamaican Roots Vol 1 (1975. VA - Carribean Carnival (196x).
Revolutionary Sounds (LP, Album, RE). Germain Records. Revolutionary Sounds (LP, Album). Tight band and clinical mixing. Reply Notify me Helpful.
A17 - Wailing Soul, Cultural Roots, Viceroys, Morwells, Maytones, Earth & Stone. The dub counterpart to the classic CR album, real killer dubwise. A1 Hypocrite Dub. A2 Rebel Rulers Dub. A3 Mr. Bossman Dub. A4 Where You Gonna Run Dub.
G Revolutionary Sounds. Format: LP Cat: GLP 001 Released: 23 Jan 14 Genre: Roots/Lovers Rock.
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BPM Profile Cultural Roots Dub. Album starts at BPM, ends at BPM (+0), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Cultural Roots. Running Back to Me. 1988. Get the Tempo of more than 6 Million songs.
Cultural Roots - Drift Away From Evil Cultural Roots. Disciples - Sunrise + Downbeat Rock Disciples, Russ D. Tenastelin, Centry Tenastelin, Tena Stelin. Donette Forte - Homeward Bound Donette Forte. Paul Fox - Wolf in Sheep Clothing Paul Fox. Alpha & Omega ft. Nishka Alpha Omega, Nishka. Tony Roots - Sufferers Cry (Roots Hitek). Iwarriyah - Guide I Steps & Call on Jah. Roots Hitek - Sankofa in Dub. Sis Zari - Fuertes Guerreros & Iwarriyah - Freedom Fighters 10" vinyl. Iwarriyah & King Alpha - Wicked Ago Bun & Way to Life.
Dub reggae’s deep roots can be traced back to 1967, when King Tubby inadvertently invented the sound while cutting a test instrumental version of a reggae track. His early dub experiments, which were usually the B-side of a single, essentially defined the genre. He used customized sound systems and effects units to create otherworldly sounds that took unsuspecting reggae fans on a mind-expanding journey. Most dub reggae songs used only sparse snatches of the original vocal lines, and even those were layered with so many effects as to render them virtually unrecognizable.